When I make work to communicate an idea I love the philosophical realisations and moments of clarity that cause the idea of the work to be realised as communication and I use subtle humour to share my way of thinking. In my non-figurative work I make intuitive choices and savour the moment when everything reaches the balance point of vibrant composure, full of ambiguity and atmosphere. I am interested in colour, texture and movement.
Every day I am amazed, I enthusiastically paint my amazement. My studio practice is varied. My painting is primarily concerned with colour. My figurative work tries to puzzle out the different way I see everything and my artists' books are often visual lists. I use my interventions and gestures to make contact with other humans, often offering a moment of cheerful confusion.
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